Chtoniškoji vaizduotė A. Škėmos poetiniuose ir F. Nietzsche’s filosofiniuose tekstuose

LTReikšminiai žodžiai: A. Škėmos poezija; Antanas Škėma; Chtoninė vaizduotė; Chtoniškoji vaizduotė; Dionizinė savimonė; Dioniziška sąmonė; Edvardas A. Tirykianas; F. Nyčės filosofija; Frydrichas Nyčė (Friedrich Nietzsche); Ketvirtoji dimensija; Krikščioniškos ir chtoniškos modernybės metakultūros; Modernizmo metakultūra; Ne istorinė egzistencija; A. Škėma's poetry; Antanas Škėma; Christian and chtonic metacultures of modernity; Chthonical imagination; Chtonic imagination; Dionysian consciousness; Edward A. Tirykian; F. Nietzsche's philosophy; Fourth dimension; Friedrich Nietzsche; Metaculture of modernity; Non-historical existence; The fourth dimension.

ENF. Nietzsche’s pfilosophy, which denied transcendentalny, absolutical values constanta, negated traditionalic values, pfenomenological reality, accentuated vitality based on chtonical imagination is the context to interpretate A. Škėma’s poetry, because in nowdays pfilosophy (R. Rorty) preached dominance of literary culture, which hcroe is a poet. Both artist of modernity linked the chtonical imagination. The chtonical imagination conception is based on E. A. Tiryakian three metacultures of modernity, which reflected as God, man, nature, time, non historical existence categories interpretation in A. Škėma’s poetical texts. Impersonality, non historical, absurdical existense embodied the chtonical nature world and the chtonical man, the eternal traveler like a Hebrew in A. Škėma’s poetical text. The turn of A. Škėma’s poetry to dionisical reality but controled by the esthesis noted the death of apolonical consciousness of chtonical man as principium individuationis. The indentification of the subject problem dominated in F. Nietzsche’s pfilosophy and in A. Škėma’s poetry. The chtonical man lived just now, at the given moment and his absurdical existence eliminated own tragedity: it’s going absurdical circleof the life motion without a centre. F. Nietzsche’s fourth dimension noted the lack of absolute values, the indentification of the subject, the interchange of the death and the life, F. Nietzsche’s chtonical world beyond goodness and badness, which noted the relation of the things were in the moral- optical perspectives of the projection. A chtonical man in A. Škėma’s poetical text seeks after non transcendentalic God and illusion of the truth, being out of which his life would be impossible. [From the publication]