Bergsono atminties koncepcija ir jos sklaida XX a. humanistikoje

LTStraipsnio tikslas - aptarti Henri Bergsono atminties koncepciją, psichologinio ir savimonės laiko sampratą bei atskleisti, kaip trukmės bei laiko takumo filosofija veikė XX a. istorijos, literatūros ir menotyros raidą. Šiam tikslui pasitelktas hermeneutinis metodas suteikia galimybę parodyti atminties architektūrą, o interpretacinė kritinė Bergsono filosofijos veikalų analizė ir jos recepcija XX a. humanistikoje - dalykiškai gvildenti atminties sampratos įtakumą. Straipsnyje atsižvelgiama į išsamiai šią temą gvildenusių autorių (Gilles Deleuze, Frederic Worms, Jacques le Goff, Georges Didi-Huberman ir kitų) tyrinėjimus bei Lietuvos mokslininkų (Antano Andrijausko2, Remigijaus Veprausko' ir kitų ) įžvalgas. [Iš straipsnio, p. 439]Reikšminiai žodžiai: Annales; Atmintis; Henris Bergsonas (Henri Bergson); Proustas; Trukmė; Vaizdo antropologija; Annales; Anthropology of image; Bergson; Duration; Memory; Proust.

ENThe main goal of the article is to discuss the conception of memory that developed in Henri Bergson’ intuitivist philosophy and to reveal how his notion of psychological and consciousness time stimulated the development of history, literature, art history and theory. In the study the main attention is payed to his “metaphysics of experience”, philosophical concepts of duration and consciousness time that stressed the importance of memory which always drags something from the past. The analysis of the Bergsonian metaphor of cone and the structure of memory related to the understanding of human perception and ontological status of memory form the basis of the article. After revealing how communicate habitual and total memory, past and present, virtual and actual, it is possible to disclose the different influences of Bergson’s philosophy. Actual discourse of memory and history, Proustian conception of creation as internal “cathedral” and anthropological approaches in art history - these three topics reveal the influences of Bergson’s concept of memory. On the one hand, Bergsonian conception of memory disclosed the existence of duration - variable and open spiritual and mental reality where do not exist stable constants because everything here is flux, flow and movement of images. It stimulated the interest in human psychological and mental life. On the other hand, Bergson gave the instruments to analyse not only psychological functions of memory, but also ontological status of remembrance, metaphysical problems of memory, collective memory, complex connections of past and present in the history and extra-time realities of art. We could say that he preconditioned the new questions in art history and the supremacy of anthropological point of view. [From the publication]

• Filosofija / Philosophy
• Menotyra / Arts