LTReikšminiai žodžiai: Tapatumas; Eurointegracija; Lietuvių muzika; Algirdas Martinaitis; Onutė Narbutaitė; Vykintas Baltakas; Identity; Europe's images; Eurointegration; Lithuanian music; Algirdas Martinaitis; Onutė Narbutaitė; Vykintas Baltakas; Asymmetries of reception.
ENThis article aims to give a broader understanding of Lithuanian music’s contribution into the formation and transformation of historical and cultural images of and narratives about European identities after the end of the Cold War. Based on a new post-historical approach to the description of history and culture ‘in many different voices’, it is intended to explore post-communist musical imagination in Lithuania and its international reception through analysis of assembled case studies and musical criticism. In addition, it is aimed to discuss how individual artistic expressions of belonging to or exclusion from the European past and present were included or rejected into artistic discourses and cultural exchange on both sides of the ‘Velvet Curtain’, a metaphor for the post-communist state, that is, an invisible yet palpable divide, which separated “Old Europe” and “New “Europe” in the period of eastern enlargement of the European Union at the turn of the 21st century. [From the publication]