Baldai M. K. Čiurlionio ir jo amžininkų vilniečių privačioje aplinkoje : apstatymas XX a. pradžioje kaip socialinio ir kultūrinio statuso išraiška

LTPasitelkiant duomenis apie XIX a. antros pusės-XX a. pradžios Vilniuje funkcionavusius baldus, gyvenamųjų interjerų vaizdus, straipsnyje siekiama atskleisti kasdienybės atspindžius: kokie baldai puošė to meto vilniečių namų, butų interjerus, ką jie mums byloja apie socialinį savininko statusą ir, svarbiausia, kaip XX a. pradžioje atrodė Mikalojaus Konstantino Čiurlionio ir jo amžininkų privati aplinka Vilniuje? Siekiant parodyti tradicijos ir modernių idėjų sklaidą to meto gyvenamųjų būstų balduose, akcentuojama, kada Vilniuje išpopuliarėjo ir įsitvirtino vienokio ar kitokio tipo baldai. [Iš leidinio]Reikšminiai žodžiai: Baldai; Butas; Dekoras; Interjeras; Mikalojus Konstantinas Čiurlionis; Vilnius; Decor; Flat; Furniture; Interior; Interior Design; M. K. Čiurlionis; Vilnius.

ENThe object of the paper is interior decoration of the houses of the residents of Vilnius in the second half of the nineteenth - the early twentieth century. The aim is to show how the residents of the city furnished their houses during this period: what kind of furniture was the most popular, what the layout of the apartments looked like, what conclusions could be made with regard to their owners and to their social and cultural status. The second half of the nineteenth - the early twentieth century was a period of changes. The processes of social changes, modernization, the requirements and taste of new customers found their reflection in the interiors of the houses of the residents of Vilnius. As one of the elements of interior decor and a tool to create an individual space, furniture always communicated the owner’s social status, education, his or her aesthetic taste, lifestyle and the like. The main feature of this period is the spread of mass production. The residents of Vilnius followed European fashions and enriched the interiors of their houses not only with locally made articles, but also with furniture imported from the neighbouring countries. When talking about outstanding artists, we often forget the details of their private space or talk too little about them.These details seem to be less important when we talk about an author’s creative work, but they become relevant when we try to imagine or reconstruct a particular period and an artist’s private space. When we take a look at the most outstanding Lithuanian art creators, their everyday stories display the surroundings of their living space. That is why in this paper the data of new sources is used, although at first sight it can be considered as trifles. Also, the author of this paper will try to answer the question when one or another type of furniture took root and became popular. The attention will be drawn to those spaces in which the authentic room layout and furniture have survived. It is a chance to compare this information from sources with such reality as extended memorial flats, houses-museums. Secular interiors of the past and furniture of the period can be seen in the old photographs featured in the paper. [From the publication]