LTStraipsnyje apžvelgiamos meninio ir tarpdalykinio tyrimo apraiškos ir jų bruožai eksperimentinėje architektūroje apskritai bei Lietuvoje. Aptariami architektūros sampratos ir ribų revizijų istoriniai pavyzdžiai bei modernaus utopinio mąstymo paradigmų raiška XVIII amžiuje. Jame analizuojami meninio tyrimo bruožai ir jų užuomazgos apimant ankstyvuosius XVIII a. utopinės architektūros ir vėlesnius XX a. architektūros parodų atvejus. Čia kaip atskiras meninio tyrimo bruožų turintis atvejis išskiriama tarpdalykinė meninė medijos eksperimentinė architektūros tendencija XX a. 6 dešimtmetyje, kuri iliustruoja metodo revizijos aspektą architektūroje. Taip pat nagrinėjamos ir aptariamos konceptualiosios bei radikaliosios aktyvistinės architektūros tendencijos Lietuvoje, kur yra akivaizdūs tarpdalykiniai tyrimai ir meninės eksperimentinės praktikos, kuriomis revizuojamos tradicinės architektūros socialumo priemonės. Visos aptartos revizijos ir su jomis susiję aspektai bei pavyzdžiai palaipsniui keičia šiuolaikinės architektūros pamatines sampratas ir prieigas, be to, Lietuvoje vykstančius architektūros kultūros reiškinius įtvirtina platesniame globaliame kontekste. [Iš leidinio]Reikšminiai žodžiai: Eksperimentas; Architektūra; Tarpdalykinis; Meninis tyrimas; Revizija; Experiment; Architecture; Interdisciplinary; Artistic research; Revision.
ENThe author of the article discusses the manifestations and features of artistic and interdisciplinary research on architecture, which can be related to the experimental paradigm, both in broad terms and in the Lithuanian context. It is done by using the analytical – problematic revisionary approach, which is expressed in several aspects – through the comparative structures of concept and idea, method and interdisciplinary practice, means and sociality. While discussing the revisions of the generic concept in architecture, attention is focused on the shift in the communication of ideas and their contents, which includes reflective-critical and expositional (exhibition) aspects. Alongside, certain manifestations of artistic research are noticed in Neo- Classicist examples having some features of utopian modern thinking. The analysis of the features of artistic research and their rudiments includes the early cases of 18th century utopian architecture and the later cases of 20th century architectural exhibitions. While discussing a revision of the method in architecture as a separate case having some features of artistic research, the author distinguishes the tendency of experimental medium architecture that arose in the 1950s, which illustrates the innovative aspect of interdisciplinary practice in modern architecture. Some features of this tendency can be observed in Lithuanian exhibitions of conceptual architecture.When exploring the aspect of the revision of means in architecture, the author discusses the tendencies of conceptual and radical-activist or social architecture in Lithuania, which contains some features of interdisciplinary research and experimental artistic practice. These practices revise the traditional concepts of the sociality of architecture and the means of their expression. The author of the article makes a conclusion that all the above discussed revisionary structures and related examples testify to an ongoing change or a change that has already occurred in the fundamental concept and approaches to contemporary architecture. Analogous examples of works of architecture in Lithuania (which are similar to global) are discussed in the article and with the help of a problematic analytical cross-section are placed in a wider context revealing their cultural value. [From the publication]