Dekonstrukcinis metafizinio archyvo konceptas ir jo taikymas: Deimanto Narkevičiaus videofilmo "His-story" atvejo analizė
LTReikšminiai žodžiai: Atmintis; Audiovizualumas; Deimantas Narkevičius; Dekonstrukcija; Filmas His-Story; Filmas-archyvas; Medijos; Metafizinis archyvas; Pairtis; Patirtis; Videomenas; Vizualumas; Audiovisuality; Deconstruction; Deimantas Narkevičius; Experience; Film His-Story; Film-archive; Media; Memory; Metaphysical archive; Methaphysical archive; Video art; Videoart; Visibility; Visuality.
ENThe article is based on the philosophy of poststructural thinker Jacques Derrida. According to Derrida, author involves concepts of metaphysical and physical archives. In metaphysical archive it is possible to find different suggestions of general human experience. These suggestions are related to non-theological concept of sacredness shown by the study. Sacredness is based on individual and intuitive perceives related to respected metaphysical space. The sacredness is ensured by protector, who is a new concept created and justified by author of the article. Different concepts of archives are related to different Derrida notions – trace, play, writing, cultural text, spectre, etc. The idea of film archive and physical archive also draws to date base of Lev Manovich and the problems of film editing. The concept of metaphysical archives is motivated by the study of Deimantas Narkevičius video film "His-Story". The biggest part of the article is the consideration of the possibilities of metaphysical archive existence in the movie as a substance of traces which determined intertextual understanding (or reading) of the film. [From the publication]
