Sakralumo ženklai Olivier Messiaeno kūryboje fortepijonui: atlikimo ir klausymosi aspektai
LTOlivier Messiaeno kūryba - unikalus XX a. muzikos reiškinys, dėl jos daugiaplaniškumo tyrinėtas įvairių autorių įvairiais aspektais, tarp jų - ir kūrinių semantinio turinio atžvilgiu. Straipsnyje dėmesys sutelkiamas j Messiaeno sakralumo sampratą ir jos raišką fortepijoninio ciklo „Dvidešimt žvilgsnių į kūdikėlį Jėzų“ (1944) I dalyje „Tėvo žvilgsnis“. Iškeltas tikslas - apibrėžti sakralumo raiškos būdus, muzikoje užkoduotų prasmių identifikavimo reikšmę atlikėjui ir klausytojui. Tuo tiksiu buvo parengta kūrinio analizė semantiniu aspektu, apibendrintos kompozitoriaus nuostatos ir atlikimo nuorodos, Messiaeno kūrybos tyrinėtojų ir atlikėjų įžvalgos bei rekomendacijos, atliktas empirinis tyrimas - klausytojų apklausa. [Iš leidinio]Reikšminiai žodžiai: Atikimo nuoroda; Atlikimo nuoroda; Fortepijono muzika; Fortepijonomuzika; Muzikinis simbolis; Oliver messiaenas; Olivier Messiaenas; Retorinė figūra; Sakralumas; , rhetorical figure; Figure; Musical symbo; Musical symbol; Olivier Messiaen; Performance indication; Piano music; Rhetorical; Sacredness.
EN[...] By analysing the means by which the composer created the chosen image of the sacrum in his piano music, some cases of the original use of Messiaen's symbols have been discovered (the F sharp major tonahty of the piece is a symbol of "God's love" or "God's theme") as well as the musical means of expression that can be also analysed by employing the concepts of the theory of music rhetoric (expression of emphasis and hypotiposis types). Drawing on the statements made by various Messiaen's researchers (music theoreticians and performers) and Gabija Rimkutė's personal experience of performing the chosen piece, recommendations and principles of interpretation of this kind of music have been formed. The conclusion has been drawn that when interpreting Messiaen's Regard du Pere, as well as other opuses by this French composer, it is as though a precise "reading" of the musical text recedes into the background. The main goal of the performer is to create his/her own image based on the composer's musical and other notes and to identify various signs coded in the composition, as well as to convey it to the audience convincingly. After carrying out research during which listeners of different ages with different musical education and personal experience listened to the Regard du Pere, it was established that the content full of signs of the sacrum can be adequately perceived only when the composer's religious view point is close to that of the listener. Therefore, the elements of musical expression linked to musical rhetoric are more effective, and sooner inspire emotions and associations, when they are also more closely connected to the listener's intuition, while the processes that are involved in the idendfication of the symbols in music are connected with intellectual activities. [From the publication]
