Dabartinės interjero dizaino transformacijos Vilniaus svetingumo sektoriaus erdvėse: trumpalaikiškumas ir vienkartiškumas

LTŠiame straipsnyje analizuojamos aktualios estetinės viešųjų erdvių interjero dekoro problemos ir glaustai aptariamos vyraujančios dabartinės meninės, architektūrinės raiškos savybės. Ypatingas dėmesys skiriamas postmoderno estetikoje išryškėjusių slinkčių poveikiui dabartiniam Lietuvos interjero dizainui. įvairiais aspektais nagrinėjama, kaip į permanentinį atsinaujinimą nukreiptas vienkartiškumas atsiskleidžia istoriniuose pastatuose įrengtuose svetingumo sektoriaus interjeruose, kokios būdingiausios estetinės daiktinės aplinkos formavimo stilistinės kryptys išryškėja Vilniaus senamiesčio restoranuose ir kavinėse. [Iš leidinio]

ENThe questions raised in this paper revolve around the urgent aesthetic problems of interior design in public spaces. The paper briefly discusses several important aspects of artistic expression as it unfolds in contemporary architecture and interior design, and metaphorically identifies these expressions as the trends of transience. It focuses on the impact that the postmodern artistic trends and movements appear to have on the aesthetics that permeate contemporary interior design. The paper also discusses the multiple ways that the trends of transience manifest themselves in interior designs recently created in Lithuanian historical structures of the HoReCa sector, as well as the characteristic traits of the styles which shape the physical spaces and material environments of cafes and restaurants in Old Town Vilnius. In the culture of commodities and metacivilization, where the common denominator is set by the mass media, and where the boundaries between different genres are becoming increasingly blurry, one can observe that a peculiar post-classic or post-modern syntax of interior design has begun to form where the main emphasis is placed on the purposefulness of the organization of the inner space.Often the main function or the determining factor of the aesthetics of contemporary design is the orientation towards the aesthetic impact exerted over the perceiver. In the changing situation of monumental arts, where wall painting is somewhat of an exception in an artificially aged and decorative context, where authentic art is replaced by a mass produced copy, and where art is poorly integrated in the interior designs of the hospitality sector, one can observe some of the main issues of this regional interior decor: its focus becomes limited to its mercantile impact on the consumer, i.e. the goods and services sold by the owner of the interior. [From the publication]