Vilniaus gyvenamųjų namų interjerų dekoro elementai: nuo klasicizmo iki moderno

LTRemiantis archyviniais dokumentais, istoriografija, interjerus vaizduojančiais meno kūriniais ir fotografijomis, pagrindžiant taikomųjų tyrimų analize aptartos Vilniaus gyvenamųjų namų XVIII a. pabaigos - XX a. pradžios sienų tapybos, lipdinių, sienų apmušalų, grindų dangų, koklinių krosnių ir židinių meninės ypatybės. Autorė atskleidžia priežastis, lėmusias dekoro elementų interjeruose meninės raiškos kaitą, analizuoja pamirštus ar menkai vertintus puošybos būdus, parodo įvairių detalių vietą ir reikšmę interjero dekoro visumoje ir jų tarpusavio ryšį. [Anotacija knygoje]

ENIn this study, readers are introduced to the field which is insufficiently explored in Lithuania - the interior decor elements in residential buildings of the late 18th - early 19th centuries. The analysis is based on the archival documents related to residential buildings in Vilnius and the manufacturing of decor elements, historiography, iconographical material, the results of applied researches of interiors. It’s not by coincidence that the period from Classicism to Modern was chosen for the research - in the historical secular architecture of Vilnius, researchers-restorers mostly find the decor which comes from exactly this period. Large amount of available material restricts the investigation to the city of Vilnius (not involving the examples found all over Lithuania), because the findings in Vilnius allow us to bring to light not only local but also wider tendencies inherent to all the country, as it was an important cultural and political centre of Lithuania. The main subjects of the research are the following: decor elements, their groups, the development of their style and plastics. Vilnius (residential buildings of Vilnius, to be precise) sets a frame for their analysis in a specific aspect. On the one hand, separate analysis of the different types of decoration hasn’t contributed much to the comprehensive, stylistically integral description of the accommodation of a Vilnius resident and the view stays a bit like an unfinished puzzle. On the other hand, a microscopic inspection of details was a trigger, which brought back the forgotten facts, materials and manners of decoration to the history of the interiors of Vilnius. All of this let us think more broadly, taking into account the circumstances in which the decoration of secular interiors took place both in the former Russian empire and in Europe [...]. [From the publication]