Keramikos vaizdinių meniniai ypatumai šiuolaikinėje Aldonos Keturakienės kūryboje

LTStraipsnyje analizuojama žinomos keramikės Aldonos Keturakienės šiuolaikinė kūryba. Dailininkė jau daugelį metų dėsto Vilniaus dailės akademijos Kauno dailės fakultete, yra išugdžiusi ne vieną keramikų kartą. Taip pat ji garsėja kaip lietuviškos keramikos novatorė, balansuojanti ant modernistinio ir postmodernistinio meno ribos, savo kūryboje puoselėjanti konceptualumo nuostatas. Norint tiksliau suvokti šios autorės kūrybinius principus, tekste nagrinėjama, kaip jos parodose pasiekiama vaizdinė įtaiga ir intriga, kokios yra svarbiausios dailininkės surengtų projektų kūrybinės nuostatos, kokiais parametrais remiantis gimsta menininkės kūrinių specifinė išraiška. [Iš leidinio]Reikšminiai žodžiai: Dekoras; Erdvė; Instaliacija; Keramika; Paroda; Porcelianas; Projektas; Medžiagiškumas; Mobilumas; Modulis; Decor; Space; Installation; Pottery; Exhibition; Porcelain; Project; Materiality; Mobility; Module.

ENIn the article The structure features of poetry images in the contemporary art of Aldona Keturakienė written by Raimonda Kogelytė-Simanaitienė, the last decade of the creative artworks which were exhibited in personal exhibitions-projects have been analysed. Aldona Keturakienė is a well-known ceramic artist and professor at the Kaunas faculty of Vilnius Academy of Art. The path of creativity for Keturakienė started in the middle of the 1980s when the artist tried some different spheres of pottery. In her time she created decorative and domestic crockery, monumental art pieces for the interior, along with figurative plastic art. But probably the most important thing is the fact that even nowadays when the spectrum of plastic abilities is increasing and changes in pottery are emerging, Aldona Keturakienė was almost every time at the vanguard of Lithuanian pottery. Since the year 2000 Keturakienė has had over 10 personal exhibits-projects, which were characterised by integrity and with the deliberate decision of installation. The article states that recent exhibitions have highlighted the artist’s penchant for metaphoric theme, reflected with personal memories and the reflections of events in life. The projects also show an original composition ‒ the plastic visual structure. This structure has been highlighted by analysing the artistic qualities of the active pottery work and the space ratio, the works’ mobility and frequency, the use of a modular piece in art work, the meaning and hypnotism of colour which is certainly typical for the artist’s exhibitions and also for the individual works in it and governs the work figurativeness, forming and helping to reveal the artist’s creative semantic field. It was stated that the artist’s ceramics are very diverse: it balances in wide range of contradictions such as, spatiality ‒ statics, brittleness ‒ monumental.Artists’ works are always based on an idea and Keturakienė herself, as a lecturer and as an artist undoubtedly remains an important personality among Kaunas ceramics artists. [From the publication]

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