Erdvės transformacijos: "Pasaulio sutvėrimas" M.K. Čiurlionio ir Lietuvos menininkų kūryboje

LTStraipsnyje gilinamasi, kokį poveikį turi M. K. Čiurlionio paveikslai vėlesnei lietuvių meno literatūros ir muzikos raiškai. Išskiriami svarbiausi fenomenologiniai procesai, kuriuos lemia įvairūs Čiurlionio kūrybos kodų inspiraciniai aspektai. [p. 2]Reikšminiai žodžiai: Bacevičius; Geda; Jungas; Kosmosas; Kutavičius; Pasaulio sutvėrimas; Tauta; Vydūnas (Wilhelm Storost; Vilhelmas Storostas, Storosta); Čiurlionis; Čiurlionis, "Pasaulio sutvėrimas", kosmosas, vizijos, Bacevičius, Jungas, Geda, Kutavičius, transformacijos, gamta, tauta, metafizika; Bacevicius; Ciurlionis; Cosmos; Creation of the World; Geda; Jung; Kutavicius; Nation; Vydunas; Čiurlionis, "Creation of the World", cosmos, visions, Bacevičius, Jung, Geda, Kutavičius, transformations, nature, nation, metaphysics.

ENThe vision of "The Creation of The World" firstly rises to us from the cycle of paintings (1906) by M. K.Čiurlionis (1875-1911); thirteen paintings in which he reflects the cosmic philosophy of universality or the spirit of cosmos (V. Bacevičius). On the other hand, these areas are also the images of the Bible myth, as God created Earth in 6 days: water, plants, shores, supporting profiles and structures. Two main tendencies of universality - the symbiosis of cosmos and nature, as well as life had great influence on the functions of modernism, and in Lithuania they were most brightly raised by the creation of Vytautas Bacevičius (1905-1970) ("The Poem of Cosmos" 1959, "The Poem of the Sea", 1939, "Cosmos Rays", 1963). The Universality became the synonym of music itself in the modernism in the middle of the 20th century (F. B. Mäche, W. Karbusicky, F. Bayle). By the end of the 20th century it penetrated in Lithuania into the musical images of B. Kutavičius, absorbing the pantheistic magic of nature, enriching the images of universality with mythological and historical archaism of the becoming of nations. The myth of "The Creation of the World" since the cycle of Čiurlionis became an important topic of Lithuanian art related to the identity of the nation. These are the visions of its revivals, resurrections, permanent becoming, apocalyptical falls and historic restoration and deep secrets of life. There relevance still prevails. This is also the metaphor of absolute space, the analogy of music and infiniteness as existence survival codes. "The Creation of the World" especially depolarizes the spaces of music and art, draws in principle new interdisciplinary idea of image transformation. [From the publication]

• Filosofija / Philosophy
• Muzikologija / Musicology
• Menotyra / Arts