LTStraipsnyje analizuojama tapytojo ir grafiko Adomo Galdiko kūryba teatre, tyrinėjamas jo individualus kūrybinis procesas kolektyviniame teatro mene, jo ekspresyvios, emocionaliai kylančios dramos interpretacijos. Siekiama atskleisti Galdikui būdingą kūrybinio proceso tobulinimo eigą, kuri pasireiškė impulsyviu kūrybiniu aktu. Teatro dailės analizei taikoma komunikacinė teorija, kurios dėka išaiškėja poreikis pažinti kūrybinę partnerystę, kūrybiniam dialogui būdingą pasidalijimą atsakomybe bei atvirumą individo interesams. Tyrimo metu atpažįstama kūrybinio proceso evoliucija nuo individualaus sprendimo iki bendraautorystės. [Iš leidinio]Reikšminiai žodžiai: Autorystė; Individualybė; Partnerystė; Ekspresyvumas; Kaita; Authorship; Individuality; Co-authorship; Expressivity; Change.
ENThe most significant changes related to consolidation of individuality in a dialogical theatrical creation were carried out by the most active representatives of modernization and its various trends. Adomas Galdikas who befitted to the young with his creative anxiety was one of the youngest art modernists. Galdikas participated in a creative dialogue expressively, with emotionally emerging interpretations, and together with Oleka-Žilinskas originated a new phase of theatre creation. The paper aims at disclosing the course of development of the process of theatre creation characteristic of A. Galdikas, which manifests in an impulsive creative act and often an endless result of creative work. In this case, immediacy of inspiration and experience moment, which are very important to modernists, are to be praised. Differences of scenography of various performances show evolution of the creative process from an individual design to the final phase on the stage when it already becomes part of the authors’ joint creation, i. e. part of the performance where not only sharing of responsibilities, which is incident to a creative dialogue, but also openness to individual’s interests reveal. [From the publication]