Poetinis Jono Vaitkaus teatras

LTStraipsnyje, analizuojant režisieriaus Jono Vaitkaus kūrybą, siekiama išryškinti jo spektakliuose reikšmingą poetinio teatro modelį. Atkreipiamas dėmesys į pagal šio modelio principus pastatytus spektaklius - Eugenijaus Ignatavičiaus ir Jono Vaitkaus „Svajonių piligrimą", Broniaus Kutavičius ir Sigito Gedos „Strazdą - žalią paukštį", Adomo Mickevičiaus „Vėlines", Oskaro Milašiaus „Migelį Manjarą", nustatomi šių spektaklių režisūriniams principams būdingi dėsningumai. [Iš leidinio]Reikšminiai žodžiai: Šiuolaikinis teatras; Režisūra; Postmodernizmas; Modelis; Poetinis teatras; Contemporary theatre; Theatre directing; Postmodernism; Model; Poetical theatre.

ENIn the article, analyzing the body of works by Lithuanian theatre director Jonas Vaitkus, the poetical model of his directorial conception is distinguished. The author interprets four productions of this director ("Pilgrim of Dreams" by lüigcnijus Ignatavičius and Jonas Vaitkus, "Throstle - the Green Bird" by Bronius Kutavičius and Sigitas Geda, "All Souls Day" by Adom Mickiewicz and "Migel Manara" by Oscar Miłosz as well as accentuates the regularities of the directorial mode of theses productions. Their composition develops consequently, and the emotional peaks arc connected with the additional dramaturgical situations. Vaitkus creates an independent poetical language, because the origin of his theatre is symbolic. With the help of set designers (Janina Malinauskaitė, Dalia Mataiticnė, Jonas Arčikauskas) he creates an exceptional symbolic space. Poetical theatre of Vaitkus is disengaged from the descriptive means and could be considered as an independent genre with the peculiar artistic language, based on the conceptual ditcctorial approach. The elements of this model become the cells of one artistic structure. One of the directorial aims of the poetical model is to restore the artistic freedom and joy of creation of the actor. [From the publication]