XIX a. pradžios-XX a. pradžios Vilniaus bažnyčių paveikslų restauratoriai

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Collection:
Mokslo publikacijos / Scientific publications
Document Type:
Straipsnis / Article
Language:
Lietuvių kalba / Lithuanian
Title:
XIX a. pradžios-XX a. pradžios Vilniaus bažnyčių paveikslų restauratoriai
Alternative Title:
Restorers of the paintings of Vilnius churches in the early 19th-early 20th century
Authors:
Blažiūnas, Juozapas
In the Journal:
Acta Academiae Artium Vilnensis [AAAV]. 2010, t. 57, p. 89-104. Meninis Vilnius: įtakos ir įvaizdžiai
Subject Category:
LT
Bronislava Kaminska; Julius Borovskis; Martynas Januševičius; Otonas Linievičius (Otton Liniewicz); Vincentas Slendzinskis; Vladislavas Leščinskis; Vilnius. Vilniaus kraštas (Vilnius region); Lietuva (Lithuania); Rusija (Russia); Apsauga ir restauravimas / Preservation and restoration.
Summary / Abstract:

LTStraipsnyje aptariami XIX a. pradžios–XX a. pradžios restauruoti Vilniaus bažnyčių paveikslai, pateikiami šaltinių ir natūros (užrašų ant paveikslų) tyrimų duomenys apie jų tvarkymo darbus, publikuotuose ir rankraštiniuose rašytiniuose šaltiniuose bei mokslinėje literatūroje rasta informacija apie dailininkus restauratorius, jų darbo apimtis, taikytus restauravimo principus. [Iš leidinio]Reikšminiai žodžiai: Vilnius; Restauravimas; Martynas Januševičius; Kanutas Ruseckas; Otonas Linievičius (Otton Liniewicz); Vincentas Slendzinskis; Bronislava Kaminska; Julius Borovskis; Vladislavas Leščinskis; Vilnius; Restoration; Marcin Januszevicz; Kanuty Rusiecki; Otton Liniewicz; Vincent Slendzinski; Bronisława Kamińska; Julius Borowski; Władisław Leszczyński.

ENThe article discusses the Vilnius church and monastery paintings restored by the early 19th-early 20th century artists Marcin Januszevicz, Kanuty Rusiecki, Otton Liniewicz, Vincent Slendzinski, Bronisława Kamińska, Julius Borowski and Władisław Leszczyński. The author makes reference to both published and manuscript written sources and to the restoration works described in scientific literature, and also to inscriptions found on the front and reverse of the paintings. Inscriptions concerning the completed restoration and renewal of works enable us to discuss the tendencies which informed the preservation of painting, including the attitude towards the sacral objects itself; as the restoration works were provided for valued paintings which in many frequent cases had earned the respect of believers and were famous for their graces. This tendency is especially perceptible in Vilnius Catholic churches and former monasteries which are abundant with paintings restored in the early 19th-early 20th century. These accomplished feats of renewal and restoration saved unique art works from fading away, those works which adorn Vilnius churches up to the present day and are an integral part of the city's image. Having compared the paintings restored in the Catholic churches and former monasteries of Vilnius with the forms of restoration and materials used in Europe and Russia, the restored works of the period under discussion are seen to correspond to the ethnic and aesthetical conceptions of restoration that were prevalent at the time. [From the publication]

ISBN:
9789955854951
ISSN:
1392-0316
Subject:
Menotyra / Arts
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https://www.lituanistika.lt/content/29925
Updated:
2018-12-17 12:52:16
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