EN[...] In this chapter, I explore an ongoing reckoning with collective transgenerational trauma as it manifests in both reverberating memories of Soviet Lithuania’s rock scene from the Singing Revolution years and in changing trends in current rock and pop works. I look at how performers and audiences navigated, via rock music, memories of the Singing Revolution based on circulating media coverage, documentary films, and political initiatives. These reverberations of 1980s Lithuanian rock are then contextualized with currently produced rock and pop songs that demonstrate two clashing kinds of aesthetics – a lingering post-Soviet concentration on imitating songs from the West, and the latest (‘post-post-Soviet’) retrospective exploration of Lithuania’s sonic map. Finally, I discuss potential reasons for conflicting and co-existing socio-cultural currents in Lithuania in line with ongoing generational fissures and the collective processing of the recent past. [...]. [Extract, p. 27-28]